Spaces of Freedom

The predicaments of the current global climate bring a new poignancy and focus to architecture. Emiliano Gandolfi , the curator of the much lauded ‘Experimental Architecture’ exhibition in the Padiglione Italia at the 2008 Venice Biennale, outlines how an emerging group of designers are redefining architecture as they seek to provide solutions that identify people's needs and address the exigencies of global warning, the environmental crisis and migration. Copyright © 2009 John Wiley & Sons, Ltd.     

Natural Methods of Interaction Or Natural Interaction in the Everyday Digital World

Computers, mobiles and automatised machines are so omnipresent that the means by which we interact with digital devices is now generally regarded as a given. Italian practice iO Agency, though, questions our use of mechanised interfaces and the language that they require us to learn. Valentina Croci explains how iO Agency has developed more natural ways for people to interact with digital environments through physical or tactile ‘triggers’. Copyright © 2008 John Wiley & Sons, Ltd.     

People as place-making coordinate: A methodology for visualizing personal spaces

The present research introduces the Activity Counter Maps (ACM) as a methodology for visualizing people's social spaces, arguing that accurate representations of these spaces are crucial for understanding the role of human activity as a place-making coordinate. The ACM were tested in two case studies conducted in Ueno Park (Tokyo). The first case study is focused on the visualization of the intensity of activity in the totality of the park. The second case study is focused in two sub-places of the park, generating representations of people's personal spaces combined into a three-dimensional “Common social space”. The research concludes with the analysis of the generated visualizations and their potential for incorporating place-variables into the digital design process.     

Home Body

Leon van Schaik reviews Households, a compelling photographic documentary project by artist and architect Mark Robbins, which portrays actual people in their own homes. Eschewing the ‘somnolent’ mode of styled interior photography, which is more about what people wish for rather than where they actually live, Robbins captures the intimacy of everyday domestic settings and relationships and in so doing engages ‘architecture with the full panoply of human emotions’. Copyright © 2007 John Wiley & Sons, Ltd.     

Mathew & Ghosh Architects

The work of Mathew & Ghosh Architects (Nisha Mathew-Ghosh and Soumitro Ghosh) boldly extends an abstract Modernist language and at the same time draws from the vitality of places. While the firm's early works were small in scale, mostly residential in nature and based on a reappraisal of the early Corbusian idiom, recent projects include large-scale urban and landscape interventions with diverse conceptual and metaphorical imperatives. They have moved from a more reticent stance to the urban exuberance of their more recent projects (for example, their own office building), something akin to a ‘savage architecture’ as posited by Kazuo Shinohara in the context of the unsynchronised nature of the modern city. The architects' object of contemplation is the urban ‘box’, whether a private residence, office or part of a church. The box is first fractured and reconstructed as a bricolage of tectonic fragments, memories and events, all tenuously related as if unity in a contemporary culture is for ever denied. Like the Japanese notion of ‘ma’, the moment between fragments - a slit or an emptiness between two hovering planes - is telling. Mathew & Ghosh participate in the continuity of a historical narrative yet mark out the fissures and disjunctions; sometimes negotiations with the continuity emerge from unintended interstices. While these configurations of the contemporary urban ‘box’ are both contextual and abstract, they are also phenomenologically rich. There is a sustained dialect to the architecture of Mathew & Ghosh that includes consummate materiality and fine crafting, light as a medium, and always, as Nisha Mathew-Ghosh states, ‘good spatial possibilities’. Copyright © 2007 John Wiley & Sons, Ltd.     

Rahul Mehrotra Associates

Rahul Mehrotra maintains a diverse and active role as an architect, urban activist, writer and teacher. His book Bombay: The Cities Within (1995), with Sharada Dwivedi, is a major enquiry into the history and sociology of India's vivacious and contentious urbanism. He finds his city of practice - Mumbai - a mine for quarrying architectural ideations and languages. Unlike most regions in India that may have to adhere to a conformist cultural agenda, Mumbai offers a conceptual freedom in traversing the traditional and contemporary as the city has its particular plurality in the intertwining epochs, attitudes and ‘coming together and moving apart of the past and present’. Multiplicity is thus axiomatic in Mehrotra's interpretation of the city, although this is transferred in his architecture as a dialogical juxtaposition of public and private, exteriority and interiority, natural and industrial materials, and the traditional and contemporary. Interiority, arising both from reasons of climate and urban conditions, is an abiding theme in Mehrotra's work and is articulated through reified courtyards and walls that also retain an intimate conversation with the larger landscape. From residences to large complexes, he uses these elements with great craft and finesse to create dramatic spaces with changing palettes of materials, colours and phenomenally modulated differences between the exterior and interior.‘In our projects, the approach has been to abstract and interpret spatial arrangements as well as building vocabulary,’ he says. ‘The idea is to combine materials, to juxtapose conventional craftsmanship with industrial materials and traditional spatial arrangements with contemporary space organisation. In short, to give expression to the multiple worlds, pluralism and dualities that so vividly characterise the Asian landscape.’ Copyright © 2007 John Wiley & Sons, Ltd.     

基于串空间模型的Andrew RPC协议的分析与验证

本文首先介绍了当前安全协议形式化验证的前沿方向串空间理论,并运用串空间模型对改进后的Andrew secure RPC协议进行了形式化分析与验证,然后指出了安全缺陷。     

A multi-stage down-draft evaporative cool tower for semi-enclosed spaces: Experiments with a water spraying system

A novel down-draft evaporative cool tower (DECT) was developed which incorporates a secondary air inlet and a complex longitudinal section that comprises two partly overlapping cones. The objective of this design is to conserve water while providing equal or superior cooling to conventional DECTs, in which dry ambient air is drawn in through a single inlet at the top and cooler moist air is delivered at the bottom.The complex section and the addition of a secondary air intake near the middle required a sophisticated water spraying system. In addition to maximizing the cooling potential, the spraying system was designed to limit spray drift beyond the base of the tower, to reduce maintenance costs (especially due to clogging of the sprayers) and to minimize pumping energy. Analysis shows that maximum cooling may be obtained either by employing a very fine spray, requiring the introduction of a relatively small volume of water, or by spraying a larger volume of coarser drops. However, spraying fine drops requires more pumping power, finer nozzles are more likely to clog and small drops of water aggravate the problem of drift near the tower base. If full evaporation of the water spray is not required and excess water is collected for reuse, the second option is thus preferable. In addition to the theoretical analysis, the paper presents experimental findings on temperature reduction, water consumption and cooling output of an 8-m high prototype tower constructed at Sede-Boqer, Israel.     

Orlicz序列空间的k—端点,k—光滑点

给出了Ｏｒｌｉｃｚ序列空间ｌ（Ｍ）的ｋ－端点、ｋ－光滑点的判据，同时得到了ｌ（Ｍ）是ｋ－严格凸、ｋ－光滑空间的充要条件。